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"La Ligne Corolle" (The Flower Line), Christian Dior's legendary first collection was first presented on the 12th of February 1947. With an eye worked on by architecture, Christian Dior also brings the corolla line .Dior called it the "Corolle Line" but editors immediately dubbed it "The New Look" collection .
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The two Spring-Summer 1947 lines, Corolle and En 8, were a dazzling success. Carmel Snow, editor-in-chief of Harper’s Bazaar magazine, said: “My dear Christian, your dresses have such a New Look!”. The Bar suit paraded in front . The collection’s press notes highlighted two main silhouettes: “Corolle” (ample swinging skirt, tiny waist, molded bodice) and “Eight” (neat and curvy, accentuated hipline and waist).Marc Bohan's 1974 graphic CD Diamond design revisits the 'CD' initials in the form of a . Click through for a preview and a closer look at some of Dior's most iconic silhouettes. 'Dior: The New Look Revolution' will run from 6 June – 1 November at the Musée Christian Dior in.
New this season, the Dior Corolle tote bag is distinguished by its refined and functional design. .
This 'Bar' suit was one of the most popular models in Dior's first collection, which he called 'La .This 'Bar' suit was one of the most popular models in Dior's first collection, which he called 'La Ligne Corolle'. The press dubbed it the 'New Look' and the name endured. Dior (1905-1957) took the softer feminine shape - round, sloping shoulder-line, narrow waist and spreading skirts - . Dior-Black-Wool-Suit-Corolle-line-1947. This was Europe’s worst winter since 1870. There was little coal, electricity was rationed and Paris was buried in snow. With fingers stiff, but with ideas running free, designers worked against the cold toward exciting new ideas.Perhaps nowhere but in Paris would the rise of a new designing star cause .
New this season, the Dior Corolle tote bag is distinguished by its refined and functional design. Crafted in greige CD Diamond canvas inspired by House archives, it boasts a highly spacious interior compartment with a patch pocket. The smooth calfskin handles allow space in the bag's front and rear to easily slide on a scarf or accessory, while lateral openings with leather tabs . The Bar suit, spring/summer 1947 Haute Couture collection, Corolle line. . Christian Dior’s sketches for the Bonheur and Corolle dresses, spring/summer 1947 Haute Couture collection, Corolle .Dior called it the "Corolle Line" but editors immediately dubbed it "The New Look" collection and their praise launched Dior's career. This day dress exemplifies Dior's silhouette of 1947. The exaggerated hipline is created by a haircloth interlining, while the midriff is tight and elongated and the shoulders somewhat broad and square. .The studio that Christian Dior had fitted out in 1951 on the 3rd floor of 13, rue François Ier was a huge, light-filled space in which nine people worked. . Sketch by Christian Dior for the Haute Couture Spring-Summer 1947 collection, Corolle line. i.
2 For his second collection, Fall/Winter 1947/1948, Dior expanded on the “Corolle” line, called Corolla in French, and also introduced the “Back of Paris” (Derriere de Paris) line. 3 While the term is commonly attributed to Snow, no direct quote or first instance of use has been found. Later in the article, I discuss the probable origin .
Dior called it the "Corolle Line" but editors immediately dubbed it "The New Look" collection and their praise launched Dior's career. This dress shows how Dior remained committed to "The New Look" into the 1950s. As in garments from his first collection, the fullness of the skirt here has been dropped to the hip with a yoke to allow for a . The New Look by Dior. Designed on two lines namely, ‘Corolle’ and ‘Huit’ the collection is said to be renamed after the famous, Harper’s Bazaar’s editor-in-chief, Carmel Snow . The ‘Bar’ suit, part of the Corolle line launched in Dior’s inaugural eponymous collection in February 1947, has been acclaimed as a pivotal moment in fashion history ever since Carmel Snow, editor of American Harper’s Bazaar, quipped, ‘It’s quite a revolution, dear Christian. Your dresses have such a new look!’
Christian Dior Didn’t Name His Line the New Look. Dior would become known for his ever changing silhouettes; he introduced two at his debut. “An Australian reporter, writing for Sydney’s .
Paying tribute to one of Christian Dior's first lines – the iconic, signature New Look that celebrated women as flowers – Dior Maison reveals the Corolla lantern conceived by French designer Noé Duchaufour-Lawrance. Its shade, inspired by the architectural lines of the founding couturier's dresses, is crafted in hand-blown glass at the International Glass Art Center in Meisenthal . The New York premiere of the exhibition Christian Dior: Designer of Dreams traces the groundbreaking history and legacy of the House of Dior. The exhibition brings to life Dior's many sources of inspiration—from the splendor of flowers and other natural forms to classical and contemporary art.
Christian Dior: Designer of Dreams, 2 nd February - 14 th July 2019 (22/09/2007) 'Maxim's' afternoon dress and hat, with choker Christian Dior (1905-57) Paris 1947 spring/summer 'Maxim's' also featured in Dior's first collection. It was named after the famous belle époque Parisian café frequented by high society. [21 words]"La Ligne Corolle" (The Flower Line), Christian Dior's legendary first collection was first presented on the 12th of February 1947. There were two lines called “Corolle” and “Huit”, but they’ve been known as the “New Look” ever since the editor-in-chief of Harper’s Bazaar remarked about the collection, “It’s such a New Look!” With an eye worked on by architecture, Christian Dior also brings the corolla line into fashion – these flowers which will never cease to inspire his creation. Here, Dior poses as a slayer of the figurehead of the 20s: the intrepid Garçonne, waist at the hips, elegant androgynous, embodied among others by Louise Brooks.
Dior called it the "Corolle Line" but editors immediately dubbed it "The New Look" collection and their praise launched Dior's career. This day dress exemplifies Dior's silhouette of 1947.The two Spring-Summer 1947 lines, Corolle and En 8, were a dazzling success. Carmel Snow, editor-in-chief of Harper’s Bazaar magazine, said: “My dear Christian, your dresses have such a New Look!”. The Bar suit paraded in front of an assembly conquered by this new-found femininity after years of wartime austerity. The collection’s press notes highlighted two main silhouettes: “Corolle” (ample swinging skirt, tiny waist, molded bodice) and “Eight” (neat and curvy, accentuated hipline and waist).Marc Bohan's 1974 graphic CD Diamond design revisits the 'CD' initials in the form of a diamond with architectural lines on organic cotton canvas. Greige smooth calfskin. Ruthenium-finish brass 'DIOR' signature on front. Interior embossed with 'DIOR' signature. Leather handles.
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Click through for a preview and a closer look at some of Dior's most iconic silhouettes. 'Dior: The New Look Revolution' will run from 6 June – 1 November at the Musée Christian Dior in.New this season, the Dior Corolle tote bag is distinguished by its refined and functional design. Honoring the greige Dior Oblique motif embroidered with wool thread, it boasts a highly spacious interior compartment with a flat pocket.
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